Christian Schad and the Neue Sachlichkeit, edited by Jill Lloyd and Michael Peppiatt. Untitled (Friends of Photography) Geometric Distortions: Breaking down spherical

Geometric Distortions: Breaking down spherical aberration

Brigidi’s color photographs of angels in Pompeii frescoes and the deteriorating walls around them

This period was heavily defined by themes of family

The catalog documents a wide array of experimental techniques that were gaining mainstream art-world traction in 1980:

thematic sections:

Christian Schad and the Neue Sachlichkeit, edited by Jill Lloyd and Michael Peppiatt. Untitled (Friends of Photography) Geometric Distortions: Breaking down sphericalSchirmer Mosel Verlag, Munich in association with Neue Galerie, New York, 2003. Hardcover, fine with very good dust jacket that has a few thin scratches and small indentations, and a crimp at bottom corner of inner front panel. Issued in connection with an exhibition at Neue Galerie. 260 pages. Christian Schad (1894 1982) was a leading figure in the Neue Saclichkeit (New Objectivity) movement of the 1920s whose oeuvre featured a wide range of subjects