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and 'The Rubberband Man'
this moment unveils the teaching methods of a traditional artistic knowledge
Owen came to me through reading Pat Barker's Regeneration trilogy
In his first quintet he therefore included unison passages and sometimes even reduced the music to one or two parts
rocking mightily together
Mozart/ Kim/ Concertgebouw Chamber Orch - Piano Concertos 17 & 23 Fulfilled By FYE and 'The Rubberband Man'Ben Kim writes: "I've long been interested in using the modern piano to mimic the unique temperament of the fortepiano, to make the notes not only sing but speak like a human voice, accentuating not only the luxuriant vowel sounds of the modern piano but also the short, staccato consonants created by the fortepiano. Mozart is master of the lyrical, but there are even more layers of dimension to be revealed by adding the percussiveness of the
